Runtime: 47'04''

«Ricardo Webbens (Lisbon, 1973) is a multidisciplinary artist. Although he had a classical education in the visual arts (painting, drawing and sculpture), soon he became interested in the visual component of the emergent video art movement. He began by making video installations and experimenting with the early aesthetic of panning, already with several studies in aesthetic composition of color and functionality. Many of these works explored the dialectic that exists between work and experimentation referenced context.

Later, as he evolved with his work in the field of video art, he decided to test another artistic environment. In 1996 begins to explore music (focusing more on electronic music) and incorporate this new line of work in video art, becoming a hybrid artist, composing and creating more complete and complex works.

In 2001 he founded the Polar music project (in partnership with Nuno Rosa), and published a couple of works, with excellent reviews from the media (Public, enpegdigital, digital gravel, igloomag, etc.).

By 2004, Ricardo embarks once more on a journey through contemporary improvisation and followed several special projects and participated with artists from other areas such as dance and theater, like Clara Andermatt.

Kringles Cat and Mosquito are two forays into the field of jazz improvisation. Project Kringles Cat, a duo with the artist Travassos, is made of exploratory ramblings in the travel universe of contemporary environmental and experimentation of new concepts and instrumentation. Ricardo Webbens stands out in this field as an artist who makes and creates his own instruments in a personal search for collateral spaces in music.
Project Mosquito, with Hernâni Faustino, Travassos and Joaquim Trindade, is a tireless quest for three-dimensional panoramas and parallel universes where the demand for constant imagery brings to the work of these artists a soundscape almost mathematical but inconstant.

He then forms Tsuki, with José Lencastre, in order to create a compelling solution in the DIY movement. He also continues to work with video, doing some work for artists like Blockhead (Ninja Tune) and bllix (Audiobulb). On the other hand he is doing another kind of visual experimentation in the field of improvisation with Tiago Miranda (Loosers), at Lux Frágil and also at MusicBox (two of the most notorious Lisbon nightclubs).

'Analog Mountains' is the culmination of his work as an audio creator, using tools he learned and experiences he acquired from 10 years of continuous work.»
- test tube


01 Lithospheric
  [22'28'' • 36,3Mb • VBR]
02 Orogenic
  [14'36'' • 21,6Mb • VBR]
03 Epeirogenic
  [10'00'' • 18,9Mb • VBR]
  [PDF-Zip • 3,36Mb]
  all tracks + artwork
  [Zip • 79,9Mb]


«Instead of writing this post, I got distracted searching for and listening to Ricardo Webbens other experimental work. Solo or with Tsuki, Kringle’s Cat, or Polar as well as his well-populated SoundCloud page, I was trying to listen to it all. But procrastination be damned, and I finally forced myself to write this review of Webbens’ latest release, Analog Mountains on test tube.

The first track of Analog Mountains is “Lithospheric”, a 22-minute delicate ambient track, filled with vague drones and whispers of glitches.  Its quietness could be mistaken as indistinctness, but it’s this subtleness that gives the track a certain accomplished aura. And then “Orogenic” abruptly turns the listener to the dark ambient, the noise. The second track is filled with a shadowy static that steadily increases in volume, its glitches are more pronounced and the drones have morphed into more abrasive tones. Though “Orogenic” might seem a startling change mid-stream, listening to Webbens other work, shows that it is not unexpected. Analog Mountains ends with “Epeirogenic”, a track more inline with the album’s opening though the glitches are replace with field recording fragments and there is the entry of slight, repetitive beats. Webbens’ work may turn out be challenging to some especially after the ambient beauty of first track, but for this reviewer, it is the demands that Webbens puts on to this listener which makes Analog Mountains so absorbing.»
- David Nemeth [Acts of Silence] February 24, 2011

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©2008 Ricardo Webbens
©2011 aeriola::behaviour
©2008 Ricardo Webbens
©2011 test tube

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• single click usually works, too.
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• usually, you double click the music files to play them, but you might want to follow the program's specific instructions.

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